Horror movies have been my cinema bread and butter since I was about 4 years old. Because of that I am a huge horror movie nut - but I am also a very discriminatory horror movie nut. It doesn't take just blood and guts to get me tweaked up in a movie theater, there has to be story, there has to be well written characters, and it has to be genuinely thrilling for me to fall head over heals for a horror picture. It's for all of these reasons that I thoroughly loved The Conjuring.
The setup for this movie is pretty straight forward a young family has moved into an old home with a dark history and must turn to a pair of paranormal investigators to rid their home of the evil entities that dwell within. And like most horror films, it is based off of real events. In this case it follows one of the more notorious cases investigated by real life duo Ed and Lorraine Warren whom take it upon themselves to help the family in need.
Now I don't know a whole hell of a lot about the Warrens beyond their connection to the infamous Amityville Horror events/book/movie so I can't speak to how accurate this movie is to the Warrens, their practices, or the real "Perron" family they supposedly helped. What I can attest to is that this is one hell of an effective, spooky and genuinely creepy ghost movie. I love a good ghost movie that takes it's time to build the scares instead of shoving them down your throat. In the The Conjuring veteran horror director James Wan has brought out perhaps his most mature work to date. He takes his time to build the story. Little teases here and there, a bump in the night, the Perron family discovering a long boarded up cellar, an odd smell that travels from room to room, a child sleepwalking - every skillful tool in the book is used to good measure in this movie.
While I sing the praises of the cast and the director - I can not go without tipping my hat to cinematographer John R. Leonetti. His fantastic usage of light and dark and the shadow spaces in between is fantastic. Every shot, even the bright daylight scenes have enough of that eery negative space to keep a constant sense of dread throughout. And then unlike some other recent horror efforts like the remake of Fright Night - this movie isn't so dark you can't see anything. Very wisely the filmmakers of The Conjuring understood that if you can't see the movie you can't be scared! So the use of burning out flashlights, broken light bulbs, and lit matches as the only light source are wisely used and well executed.
In the End, 8/10 a genuinely creepy good time for a horror movie audience with an attention span.
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